Audiovisual Immersion: Works for percussion, voice, electronics and video

Thursday, November 21, 2024 8:00 pm

ARTS 166

ADMISSION

Free and open to the public.

Though admission is free, a ticket is required. One ticket per person will be distributed at the venue one hour before the concert. Seating is limited and on a first-come, first-served basis.

PARKING

FREE event parking if you sign up -- follow these steps:

• Step 1: Click on this link
• Step 2: Enter your license plate in the “License Plate Number”
• Step 3: If the plate is non-California, select the appropriate state for the plate.
• Step 4: Press ‘Park’

For any other questions about event parking, please email parking@ucr.edu between the hours of 8 a.m. and 4 p.m., Monday to Friday, and allow up to one business day to receive a response.
 

Additional visitor parking info for events can be found at: performingarts.ucr.edu/parking

PERFORMERS

Thierry Miroglio (France), percussion

Stacey Fraser (Canada/USA), soprano

Paulo C. Chagas, electronics

Marc Battier, electronics

SPECIAL GUEST

Marc Battier (France)

PROGRAM

Paulo C. Chagas Embracing Emptiness (2018/24) – 19 min for marimba and vibraphone, live-electronics, and video.

Thierry Miroglio (France), percussion

Paulo C. Chagas, live-electronics, video

Marc Battier Proxima (2016) – 11 min

for vibraphone, percussions and electroacoustic sounds

Thierry Miroglio (France), percussion

Marc Battier, electronics

Paulo C. Chagas The Skin of the Earth: Fragments (2024) – 8 min (world premiere)

for soprano, live-electronics, and video

Stacey Fraser, soprano

Paulo C. Chagas, live-electronics, video

Paulo C. Chagas Sisyphus of the Ear (2016) – 16 min for percussion, electronics, and video video by Johannes Birringer

Thierry Miroglio (France), percussion

Paulo C. Chagas, electronics

Download the program

Download the poster