By taking a Khara Khoto painting produced on a gridded cotton background as a starting point, this presentation will reconstruct the history of how the grid emerged as a powerful visual tool in the production of two-dimensional Buddha icons in the twelfth-to-thirteenth century Central Asia.
Dial-In Information
https://ucr.zoom.us/WEBINAR/REGISTER/WN_ETXRPCXAS0GFBTMFXGANPQ
Thursday, April 8 at 11:00am to 12:20pm
Virtual EventFaculty & Staff, Graduate Students, Prospective Students, Undergraduate Students, International Students, Transfer Students, General Public
Free