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X-WR-CALNAME:UCR Dance Colloquium - André M. Zachery. “Blk Haptics - Af
 ricanist Aesthetics + Feedback in Performance Technology”
X-WR-TIMEZONE:Pacific Time (US & Canada)
BEGIN:VEVENT
DTSTAMP:20260818T114229Z
UID:tag:localist.com\,2008:EventInstance_36350441884669
DTSTART:20210506T203000Z
DTEND:20210506T222000Z
DESCRIPTION:UCR Department of Dance\n\nNew Research in Critical Dance Studi
 es Colloquium Series\n\nTowards Antiracist Futures of Dance in the Post-Pa
 ndemic Academy \n\nRecently\, dance organizations and institutions across 
 the country have pronounced themselves in different forms against historic
 al social and racial injustice. They have drafted values intended to promp
 t commitments to fighting against systemic racism and social marginalizati
 on. The colloquium and the Schlundt Lecture are motivated by the premise t
 hat in order to implement structural changes there must be a radical chang
 e on how we have learned to think\, be\, feel\, care\, do\, and make in th
 e world and in relation to one another. Presenters will be sharing their r
 adical imagination as we keep the fire burning and the momentum going towa
 rd envisioning and building a more equitable and antiracist (dance) world.
 \n\nCoordinated by Jose L Reynoso\nAssistant Professor of Critical Dance S
 tudies\n\nMAY 6\, 2021 Thursday\, 1:30-3:20 pm PDT \nONLINE - Free and ope
 n to the campus and broader community\n\nRegister in advance for this seri
 es (one link for all presentations): \nhttps://ucr.zoom.us/meeting/registe
 r/tJMrd-uvqDMqHNT24cUrjoAOV6jJ4lSGa9pq \nAfter registering\, you will rece
 ive a confirmation email with information about joining the presentation. 
 \n\nDownload the poster here. \n\n___________________\n\nAndré M. Zachery
  (he/him/his)\n\n“Blk Haptics - Africanist Aesthetics + Feedback in Perf
 ormance Technology”\n\nThrough research fusing digital programming and m
 edia design\, contemporary African Diaspora dance techniques and critical 
 race theory through the lens of Afrofuturism\, I contend that there is an 
 urgent need to reconsider digital and virtual landscapes not as inherently
  neutral or a-cultural spaces but as entities that are devised\, coded and
  algorithmically structured from socio-historical corporeal experiences. M
 y objective through my work is to acknowledge “haptics” as something t
 hat can be varied\, measured and qualitatively quantified from cultural pr
 actices that can alter and simultaneously be altered across mediated terra
 ins. I contend that the haptics of Africanist cultures ranging from the co
 ntinent into its Diaspora are missing from digital inventories and thus da
 tabases are not only incomplete\, but not accounting for new consideration
 s or feedback from shared experiences. \n\nAs a choreographer\, digital pr
 ogrammer and cultural researcher I fuse history\, technology and personal 
 narrative into projects centering African Diaspora cultural practices such
  as improvisation\, imagery\, dissociation\, double-consciousness and repu
 rposing. I consider these practices to be “futuring actions”. \n\nI ac
 tualize these futuring actions through conceptually devising interdiscipli
 nary multimedia projects which address the tensions\, intersections and fe
 edback between the body\, space\, architecture and time. Though technology
  is an integral component\, using dance as the primary mode of investigati
 on centralizes the body in this ideological chasm. In this way dance becom
 es more than a mode of artistic expression but an act of place-making to l
 ocate layered existences and experiences part of a greater collective. Thr
 ough this exchange the haptics of bodies - more specifically Black bodies 
 - can begin to influence and expand the possibilities in digital and virtu
 al futures for Africanist populations across the globe. \n\nAndré M. Zach
 ery is a Brooklyn-based interdisciplinary artist of Haitian and African Am
 erican descent\, and is a scholar\, researcher and technologist with a BFA
  from Ailey/Fordham University and MFA in Performance & Interactive Media 
 Arts from CUNY/Brooklyn College. As the artistic director of Renegade Perf
 ormance Group his practice\, research and community engagement artisticall
 y focuses on merging of choreography\, technology and Black cultural pract
 ices through multimedia work. André is a 2016 New York Foundation for the
  Arts Gregory Millard Fellow in Choreography and 2019 Jerome Hill Foundati
 on Fellow in Choreography. \n\nHis works through RPG have been presented d
 omestically and internationally\, receiving support through several reside
 ncies\, awards\, commissions. These have included the LMCC Arts Center on 
 Governors Island\, Dance/NYC Coronavirus Relief Fund\, CUNY Dance Initiati
 ve\, Performance Project Residency at University Settlement\, ChoreoQuest 
 Residency at Restoration Arts Brooklyn\, 3LD Art & Technology Center\, Har
 vestWorks and a Jerome supported Movement Research AIR. Awarded grants hav
 e been from the Brooklyn Arts Council\, Harlem Stage Fund for New Work and
  a Slate Property SPACE Award. Commissions have come from the Brooklyn Mus
 eum\, Five Myles/BRIC Biennial and Danspace Project. \n\nRPG has earned me
 ntions and favorable reviews from publications such as The New York Times\
 , The New Yorker\, The Village Voice\, Culturebot\, Infinite Blogspot\, Fu
 turistically Ancient\, Hyperallergic\, the Brooklyn Rail\, the Daily News 
 and AFROPUNK. As a technologist André has collaborated with various artis
 ts through RPG\, the design team of 3LD Art & Technology Center and The Cl
 ever Agency on design installations\, immersive media productions\, film p
 roductions\, film editing\, projection mapping and performance collaborati
 ons. \n\nAndré has worked on major projects across artistic mediums as a 
 choreographer\, media designer and consultant with artists such as Daniel 
 Bernard Roumain\, Cynthia Hopkins\, Davalois Fearon\, Dance Caribbean COLL
 ECTIVE\, Arin Maya\, Rags & Ribbons\, The Clever Agency\, Kendra Foster\, 
 Manhattan School of Music\, Burwell & Sasser and Spike Lee. \n\nAs a schol
 ar he has been a member of panels\, led group talks\, facilitated discussi
 ons and presented research on a myriad of topics including Afrofuturism\, 
 African Diaspora practices and philosophies\, Black cultural aesthetics\, 
 technology in art and performance and on expanding the boundaries of art m
 aking within the community. He has been a panelist and presented his resea
 rch at institutions such as Duke University\, Brooklyn College\, Universit
 y of Virginia and Massachusetts Institute of Technology. André has taught
  at Brooklyn College and been a guest faculty member at the dance programs
  of Florida State University\, Virginia Commonwealth University\, The Ohio
  State University and University of California Los Angeles. \n\nContact an
 d learn more at @renegadepg (IG & Twitter) and https://www.renegadepg.com/
 \n\nThis series is supported by the College of Humanities\, Arts\, and Soc
 ial Sciences Dean’s Office Visiting Artist Fund\n\nInformation: dance@uc
 r.edu \n\nLearn more about series here\n\nAs we strive to constantly renew
  our commitments to social and racial justice as a department\, we acknowl
 edge and recognize our responsibility to the original and current caretake
 rs of the land where UC Riverside is located:  The Cahuilla\, Tongva\, Lui
 seño\, and Serrano peoples (see full land acknowledgement). The life of o
 ur department and the upkeep of our facilities are maintained by the labor
  of so many people we are grateful for. Special thanks to Kathleen DeAtley
 \, Program Promotions Manager\, and Lily Chan Szeto\, Event Specialist\, f
 or contributing their expertise to the production of this Colloquium and S
 chlundt lecture. \n\nPhoto credit: Tara Lynn Pixley
LOCATION:
SUMMARY:UCR Dance Colloquium - André M. Zachery. “Blk Haptics - African
 ist Aesthetics + Feedback in Performance Technology”
URL;VALUE=URI:https://events.ucr.edu/event/ucr_dance_colloquium_-_andrem_za
 chery_blk_haptics_-_africanist_aesthetics_feedback_in_performance_technolo
 gy
CATEGORIES:Arts
CATEGORIES:Dance
CATEGORIES:Conferences
CATEGORIES:Lectures & Presentations
CATEGORIES:Seminars
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