UCR Dance Colloquium - Raquel Monroe. “A Return to the Slow Burn: Antiracism and Dance Curriculum”

UCR Department of Dance

New Research in Critical Dance Studies Colloquium Series

Towards Antiracist Futures of Dance in the Post-Pandemic Academy 

Recently, dance organizations and institutions across the country have pronounced themselves in different forms against historical social and racial injustice. They have drafted values intended to prompt commitments to fighting against systemic racism and social marginalization. The colloquium and the Schlundt Lecture are motivated by the premise that in order to implement structural changes there must be a radical change on how we have learned to think, be, feel, care, do, and make in the world and in relation to one another. Presenters will be sharing their radical imagination as we keep the fire burning and the momentum going toward envisioning and building a more equitable and antiracist (dance) world.

Coordinated by Jose L Reynoso
Assistant Professor of Critical Dance Studies

APRIL 22, 2021 Thursday, 1:30-3:20 pm PDT 
ONLINE - Free and open to the campus and broader community

Register in advance for this series (one link for all presentations): 
https://ucr.zoom.us/meeting/register/tJMrd-uvqDMqHNT24cUrjoAOV6jJ4lSGa9pq 
After registering, you will receive a confirmation email with information about joining the presentation. 

Download the poster here

_____________________

Dr. Raquel Monroe (she/her/hers)

“A Return to the Slow Burn: Antiracism and Dance Curriculum”

Dr. Monroe will discuss how the labor of de-centering western concert dance from dance curriculums prepares dancers and departments to lead antiracism efforts in the academy and their communities. 

Raquel Monroe, Ph.D. is an interdisciplinary performance scholar and artist whose research interests include black social dance, black feminisms, and popular culture. Monroe’s scholarship appears in journals and anthologies on race, sexuality, dance and popular culture.  She is completing a monograph analyzing the intersections of Black feminism and Black liberation by Black female cultural producers in popular culture and the Black public sphere. As a maker and performer, Monroe is a member of the interdisciplinary arts collective the Propelled Animals (https://propelledanimals.org/). Monroe is the Co-Director of Diversity, Equity and Inclusion and an Associate Professor in Dance at Columbia College Chicago. She is a founding board member of the Collegium for African Diaspora Dance. 

This series is supported by the College of Humanities, Arts, and Social Sciences Dean’s Office Visiting Artist Fund

Information: dance@ucr.edu 

Learn more about series here

As we strive to constantly renew our commitments to social and racial justice as a department, we acknowledge and recognize our responsibility to the original and current caretakers of the land where UC Riverside is located:  The Cahuilla, Tongva, Luiseño, and Serrano peoples (see full land acknowledgement). The life of our department and the upkeep of our facilities are maintained by the labor of so many people we are grateful for. Special thanks to Kathleen DeAtley, Program Promotions Manager, and Lily Chan Szeto, Event Specialist, for contributing their expertise to the production of this Colloquium and Schlundt lecture. 

Photo credit: Philip Dembinski

Thursday, April 22 at 1:30pm to 3:20pm

Virtual Event
Event Type

Arts, Dance, Conferences, Lectures & Presentations, Seminars

Audience

Faculty & Staff, Graduate Students, Prospective Students, Undergraduate Students, General Public

Department
Dance
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